Landscape, Nature And Travel Photography

Photography By Jim M. Goldstein

Mavericks Surf, Bigger Than Life – Impact of Scale

Fitting a huge eye-catching scene into a 35mm frame can often be a daunting task. I routinely see photographers attempting to do this and missing the mark. Experiencing a grand scene and capturing it effectively for others to experience often eludes photographers. One trick of the trade is to leverage a component of your scene for scale. In many instances the object included for scale is the element of focus and other times it can be a secondary object lending itself to provide viewers an anchor to make sense of the scene.

As an example photographers photographing Mavericks will either shoot a close up of the surfer losing all perspective to the scene or they’ll include a view of the massive wave with the surfer. The later can produce some jaw dropping images highlighting the size of the waves in relation to the surfers.

Shane Desmond drops into giant wave at Mavericks Surf Contest 2010

2nd place finisher Shane Desmond surfs a giant wave in the second heat of the 2010 Mavericks Surf Contest held in Half Moon Bay, California on February 13, 2010

Another popular technique to exploit an exaggerated sense of scale is to utilize a tilt-shift lens or employ a faux tilt-shift effect. Capturing an image with a very shallow depth of field or mimicking a very shallow depth of field can make normal photo subjects look like toys. To exaggerate the sense of scale, in the previous image, I used Photoshop  to apply a Gaussian Blur to a duplicate layer of my image. I then applied a layer mask to show all but a thin ribbon of the blurred photo… revealing the in focus layer behind. The result is the following version of the photo.

Shane Desmond drops into giant wave at Mavericks Surf Contest 2010

Toy effect added in post-production of 2nd place finisher Shane Desmond surfs a giant wave in the second heat of the 2010 Mavericks Surf Contest held in Half Moon Bay, California on February 13, 2010

If you’re looking for a quick and dirty way to apply a faux tilt-shift effect check out this online tool to upload a photo or use a photo from the web to create your own – TiltShift Maker

So which do you prefer, the original or the faux tilt-shift version of the Mavericks surf photo?

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  • jimgoldstein
    Thanks for the comments everyone. For the record I too prefer the original and would stick to it no matter what to keep it in line with a photojournalist standard. After having an online conversation with a friend about tilt-shift lenses I used this photo as an example to show how the tilt-shift toy effect could be done in post-production.
  • daniele321
    What a great talent you have. Your photos are absolutely amazing. I enjoy studying you photos to better my own skills and gain new perspectives. Thank you for the inspiration and your willingness to share with others!
  • ronludekens
    In another situation, I might want to use the tilt-shift effect to downplay the background and bring attention to the person or object. In this scene, the huge wave is the focus of the photo and I like the original which keeps it in focus
  • That's a hard choice, Jim... I really like both of them... But I think I will have to go with the original because I really like the details of both the surfer and the wave..
  • LoJo_100
    I love tilt-shift but in this case, I like the original much better. The original, as Jeremy pointed out, shows so much detail that it makes quite an impact!
  • Jeremy Joubert
    Hi Jim

    I definitely prefer the original - there are interesting details in the wave that are lost in the faux tilt-shift version.

    Jeremy
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