This Weeks Friday Freebie iPad Wallpaper: Mavericks Big Wave Friday Freebie features an image to liven up your iPad display with images from my travels… all for free.
Few activities contrast the power of nature with an individual man like big wave surfing. Most big wave locations are in exotic locations such as Teahupoo in Tahiti (Laird Hamilton takes on Teahupoo video) or Jaws in Maui (video of the biggest wave surfed or so they think), but at just the right time of year the Mavericks surf break in Northern California is the place to be. Beyond the man versus nature story of Mavericks the waves are simply beautiful in form. The photo in today’s Friday Freebie exemplifies that beauty of form. If interested in seeming more of my Mavericks photos check out my set from the last Mavericks Surf contest in 2010 or see all my Mavericks photos from 2006 on.
Note: This image is distributed for personal use only and all rights are reserved. If interested in using this photograph commercially please contact me.
One of the best modern traditions in San Francisco is the Bring Your Own Big Wheel event held every Easter Sunday afternoon. Having photographed BYOBW 2007, BYOBW 2008 and BYOBW 2010 you’d think there would be nothing new to see, but in fact each year it keeps getting better. Last year the die hards endured cold San Francisco rain, but this year the sun came out making for a great day of tricycle carnage and whacky costume revelry. One nice touch to this years event was a heat dedicated to attending kids and a sign of the event getting bigger and more formal was the requirement of each rider to register and sign a waiver. Still a great time to be had by all. Here are my Bring Your Own Big Wheel 2011 photo highlights plus a video to give you a sample of the BYOBW experience:
Highlights from Bring Your Own Big Wheel 2011 in San Francisco, California. This years event was held Potrero Hill on 20th Street and Vermont Ave. on Easter Sunday April 24, 2011.
This weekend I had the great fortune of attending the World Photography Festival in San Francisco. This was their first year here in town and I’m happy to report they’ll be returning yearly.
This year the big draw was Elliott Erwitt. If you’re unfamiliar with the photographic work of Elliott Erwitt you should start to brush up on it immediately. He’s long been a favorite photographer of mine, who has done some amazing work with Magnum Photos. What solidifies Elliott Erwitt as one of the all time greats is his personal photography projects. Elliott’s personal photography projects highlight his great sense of humor, masterful timing and keen skills as an observer. No matter what your photographic specialty, when you view Elliott’s work you realize how much more you can bring to your own work.
In the video below Elliott Erwitt speaks with Ken Light, who I’ve previously interviewed, discussing a wide variety of topics from his start as a photographer to his time as President of Magnum to his current projects. The big bonus is at the end of the interview when Elliott takes time to talk about many of his most iconic images. Enjoy!
This weekend is Fleet Week here in San Francisco and that means the Blue Angels are performing. If you’re in the San Francisco bay area today you’ll likely hear them buzzing around. If you’re heading out to photograph them this weekend be sure to read my popular post 10 Essential Tips To Get Great Blue Angels Photos. To get your creative juices flowing here are a few photos from last years event.
This weekend was one of my favorite local events here in San Francisco, Bring Your Own Big Wheel (aka BYOBW). This year conditions were treacherous with heavy rain. The weather didn’t deter anyone from strapping on their costumes, straddling a tricycle meant for a small child and taking life and limb into their own hands as they descended down one of San Francisco’s curviest streets. Below is one of my favorite photos from the day and just below is a slide show of all my favorites 2010 BYOBW photo.
Also check back shortly as details to a new lens rental giveaway will be out later today.
Bring Your Own Big Wheel (BYOBW) Easter Bunny View - San Francisco, California
The 34th episode of EXIF and Beyond has been released (duration 16:54 min.)
This episode of EXIF and Beyond features interviews of Russell Brown, John Knoll and Kevin Connor (Adobe Senior Director of Product Management) from the Adobe Photoshop 20th Anniversary Celebration held in San Francisco on February 18th, 2010. Discussed are topics ranging from recollections of Photoshops earliest beginnings, the impact of its release to creative professionals and hints of what’s to come in Photoshop CS5.
Yesterday the professional free skier C.R. Johnson died in an accident on the slopes of Squaw Valley, California. My heart goes out to his family and friends. I first crossed paths with C.R. while shooting the 2005 Icer Air event in San Francisco. In 2005 Icer Air caught the attention of millions of people who were witness (in person or on TV) to the odd juxtaposition of extreme skiing and snowboarding against the backdrop of steep San Francisco hills, mansions and iconic landmarks such as Alcatraz. The scene was surreal, but the energy was intense. At this event C.R. Johnson won the skiing competition. His enthusiasm for the sport was palpable and his energy lit up those around him. I never knew C.R. other than this one time we crossed paths, but seeing how his influence in this sport grew and his incredibly positive energy impacted others it’s obvious now the sport has lost a great ambassador. More on C.R. Johnson can be read over at Chase Jarvis’ blog
C.R. Johnson being interviewed after winning the 2005 Icer Air skiing competition in San Francisco, California
I could generate a laundry list of thoughts as to why the Mavericks surf contest is one of the more amazing events to cover, but in the end it comes down to the sheer spectacle of man vs. nature. Having photographed every Mavericks Surf Contest since 2005 I’ve covered most every angle except from a jetski and the water itself. This year I was very fortunate stay dry on the media boat to get some killer photos.
Chris Bertish, the first place finisher & champion, on the lip of a giant wave at the 2010 Mavericks Surf Contest held Saturday February 13, 2010 in Half Moon Bay, California
Gear Information
Camera
Primary: Canon 7D
Backup: Canon 1Ds Mark III
Lenses
Canon 70-200mm f2.8 IS
Alternate: Canon 300mm f/2.8
Canon 7D Pros & Cons:
Pros: - 8 frames per second
- 18-megapixels
- Small & light
- High ISO sensitivity
- 1.6x magnification factor
- UDMA CF card compatible
- 100% view from ViewFinder
- HD video at 30 fps
- Easy to configure
Cons: - No audio annotation feature
- Only 1 CF card slot
- Mode knob does not lock
Start to the Day & Camera Gear
Covering the event is as fast paced as the action itself. The day started early at 4:30am gathering my gear and driving to the Pillar Point Harbor. Still dark outside at this hour there is no way to see what conditions look like other than reading the surf & weather report. Talking with friends and event staff the night before, while picking up my media credentials, I heard it was going to be big… as in bigger than any year prior. While waiting on the dock to board the media boat I could take in the beautiful sunrise. The coastal mountains were shrouded in fog and golden light was beaming through revealing a hint of the day’s surf conditions. Surf was certainly up, but how much compared to years past it wasn’t clear.
The call came to board the boat, I grabbed my gear and I did my best to carve out a place to take position for the event. After the safety briefing on the boat it was all business. As the boat was leaving the harbor I made sure all my gear was in order including a Canon 7D provided courtesy of BorrowLenses.com and my Canon 1Ds Mark III. Also set up was a hot-shoe mounted Sony HXR-MC1 HD video camera on the 7D. By the time I adjusted camera settings, checked/cleaned lenses, and hunkered down for the long haul we cleared the breakwater and headed out into very choppy water.
Conditions & Challenges
Conditions at the surf break, roughly 1/2 a mile from shore, were picture perfect with amazing golden hour light, clear visibility and GIANT waves. Everything that had been hoped for seemed to be coming into place. Unfortunately for those on shore looking to get a glimmer of the action from the cliffs the large surf was generating tons of mist hindering the view in combination with the slow to dissipate low lying coastal fog. Eventually the fog lifted for those viewing the contest from shore, but for the 20-25 media photographers/videographers on the boat there was nothing holding us back
The blessing of huge surf created the curse of rough shooting conditions. It wasn’t uncommon for the boat to bob up and down from 6-12 feet. In many regards I felt like a rodeo cowboy with one hand on the rail and the other keeping my cameras from hitting the boat and near-by photographers. I carried onto the boat only what I planned to use, so no camera bag was necessary. Others took bags and monopods to lay on the deck that were constantly sliding into others and getting under foot. To get a solid photo I had to jam my foot against the edge of the deck/railing and pin my back to the cabin of the boat. This served two purposes… 1. To keep from going overboard when shooting and 2. To enable me the ability to use both hands to stabilize my camera as best as I could. It was a very physical day.
Alex Martins drops into a huge wave at the 2010 Mavericks Surf Contest
Surf & Surfers
Mavericks is a unique surf event in that once they determine that conditions are right they announce the contest date to take place in 2-3 days. Contest participants are pre-selected and expected to arrive in Half Moon Bay, California with in 24 hours no matter where they happen to be. This year’s Mavericks Surf Contest winner, Chris Bertish of South Africa, flew 30-plus hours on Thursday to arrive in time Saturday morning for the start of the event. Bertish and the other participants are hand selected world class athletes. The 50-58°F water requires all northern California surfers to wear 5mm wet suits hiding much of their athletic stature.
All the effort to make the event is paid off with giant waves rivaled only in a few places world-wide (Hawaii, Indonesia and South Africa). On this day the surf was reaching epic heights of 40-50 feet. Note that a rough rule of thumb is multiplying the wave height by ~2 to get the range of height of the face of the wave. A 40 foot wave can have an 80 foot face. Unlike past events the waves just kept getting bigger throughout the day. The tides were working in the favor of the contest. The only downside to the day was that as the day progressed the intervals of the swells seemed to extend creating larger lulls between sets. By the time the final heat rolled around there was more waiting than surfing, but when the waves arrived they were epic by any standard.
More Camera Gear Info
I can’t thank BorrowLenses.com enough for the use of the Canon 7D. It was the primary camera that I used. In the past I’ve used my Canon 1D Mark II with great success. I had but 45 minutes to spare after preparing my gear to learn how to configure and use the Canon 7D. Canon has continued to make it simple to configure its dSLR settings. The use of the Quick Control screen to easily access all basic camera settings was of great value throughout the day. In reviewing the camera’s feature settings, the night before the event, I disabled the on camera flash & Live View, set the AF mode to Quick, set the color space to AdobeRGB and specified centered focus points to be used. I checked for dust spots in a few test shots and found the camera to be in great working order.
Why did I chose to shoot with the Canon 7D? Three things come into play when I photograph sports subjects (or wildlife for that matter) from a boat: shutter speed, resolution and frame rate.
Shutter Speed
Capturing my subject at a high shutter speed is essential to offset movement of the boat. This is especially true when you’re fighting a substantial pitch due to high surf. In addition to water conditions facing unpredictable coastal weather where the lighting can become dark can also negatively impact ones ability to keep a high shutter speed. Noise free high ISO functionality is key to adjusting to weather conditions. I prefer to shoot in Aperture priority mode (occasionally in Shutter priority) while manually fine tuning the aperture settings to strike a balance between needed depth of field and shutter speed.
Resolution
The higher the resolution of the camera sensor the greater flexibility I’ll have to fine tune my composition in post-production by cropping photos. Higher resolution photographs allow me to correct poorly composed photos resulting from unpredictable movements of the boat. While I can line up a composition in a split second I can’t predict how the boat will move due to the surf. It’s not uncommon to look at photos in post-production and notice substantial movement or in extreme cases lost shots.
Frame Rate
For many it might seem that the 5fps of a camera like the 1Ds Mark III or other body would suffice for a sports event, but this is not the case. 3 to 5 extra frames per second can make the difference between getting the shot and not. This is particularly true when photographing an extreme sport such as surfing, let alone dealing with unpredictable movement of your shooting platform.
On all fronts the 7D handled the job nicely. Is the camera up to snuff for landscape work? I couldn’t tell you at this point, but for sports photography I wouldn’t hesitate to use it again.
Photos
Throughout the week I’ll post some of my favorite photos from the 2010 Mavericks Surf Contest to the blog, but in the meantime I’ve embedded a larger set of images below for you to enjoy. Let me know if you find a favorite and feel free to embed this slideshow elsewhere.
