There is one clear way of knowing that you’re approach to photography is wrong… when you realize you’re not having fun. I consider myself lucky, as soon as I look through the viewfinder of my camera everything else falls by the wayside. This ability to focus and free my mind of extraneous thoughts enables me to simultaneously focus on my subject, lighting, various conditions and most importantly giv
Both mentally and photographically the most enlightening times I find are in moments of transition. It’s at these moments that my creativity and my admiration of my subject peaks. As it relates to landscape photography “transition” is likely to be interpreted as the transition between light and dark. This is certainly an accurate interpretation, but it is also true of any subject I photograph or ge
In 2009 I was very fortunate to have had some incredible photo opportunities. Selecting my best photos from this past year was much more difficult than choosing my best photos of 2008 and 2007. After taking the time to review the best of the tens of thousands of photos I took this year I narrowed my choices down to the best 50, then best 25 and finally down to these 10 best photos. To view higher resolution versions
When traveling to remote locations I strive to: 1. Make use of every moment of light possible. 2. Look for opportunities to capture a new take on a “common” subject. This photo was taken during a transition of dusk and optimal morning light at the Racetrack. Not wanting to sit idle during this time I began experimenting with a variety of in camera effects to see if I could create something interesting and
I’m going to be taking a few day break from the blog, but before I do I wanted to wish all of my blog readers a Merry Christmas and Happy Holidays. While most photographers in a post like this might settle for a photo like I shared in my previous entry Christmas Wonderland, Yosemite National Park I decided to opt for something a little different. Back in September while visiting Badwater in Death Valley Nationa
Death Valley National Park’s Racetrack is one of the most incredible locations for landscape photography. The iconic rocks that litter the playa with mysterious trails behind them are an endless source of wonder. Death Valley in general appears dull and lifeless during most hours of the day, but at sunrise and sunset the landscape transforms from a dull colorless environment to one overflowing with texture and
One of the more interesting places in Death Valley National Park is a place called the Racetrack. This dry lake bed is home to a fascinating phenomenon of large rocks that seem to inexplicably move and leave tracks in the dried mud of the playa. The current theory is that as the lake bed becomes wet from the rain and as strong winds blow through the valley the rocks slowly move. No matter how the tracks are made thes
After a brief trip to New York for Photo Plus Expo I’m back and I couldn’t help, but publish another Zabriskie Point photo. This was taken earlier than my last Zabriskie Point Sunrise – Death Valley National Park. My recent workshop to Death Valley was well timed as lingering clouds from dissipating storms made the photogenic landscape even more photogenic. In addition sunset and sunrise colors were incre