Landscape, Nature And Travel Photography

Photography By Jim M. Goldstein

How I Evaluate Terms of Service for Social Media Web Sites – Google+

Using a social media web site (Ex. Twitter, Facebook and now Google+) is a common place activity for many, but every time a new social media site comes online the same discussions surfaces and the same comments are made about rights grabs, privacy concerns and the need to lock your personal information & photos offline to preserve your ability to protect your work/business. This later concern is one photographers repeat every time a new site comes online and its often backed by erroneous information or a simple lack of understanding of the Terms of Service (ToS) of the new web site.

The Basics
Before I go further it’s important to note that a Terms of Service document is a legal document. To get a definitive take on what a specific Terms of Service document says consult a lawyer. I am not a lawyer and what I’m about to share is based on my personal experience as a web entrepreneur, full-time professional photographer and former corporate web manager. If you’re reading this and you’re a practicing lawyer I welcome your feedback, input and contribution to the information below.

Jockeying for Legal Protection – How Each Party Protects Themselves
Me – As a professional photographer I don’t just think in terms of producing photographs; I think in terms of intellectual property. As such all of my work is filed officially for copyright with the U.S. Library of Congress. (For more on my copyright work-flow see Copyrights: Protecting My Photography or 10 Must Read Copyright Articles for Photographers.) This is important because it helps me protect my creative work to the full letter of the law in the event my work is misappropriated. And by that I mean companies of all sizes will almost always take note of a copyright infringement claim when notified of a formal copyright filing with the U.S. Library of Congress as it can mean real impact to their bottom-line.

Copyright protection helps me gain footing to protect my business and secure future income even when up against a person or company infringing my copyright that might have greater resources or might otherwise chose to ignore a complaint it sees as a non-priority.

Them – Not surprising companies behind social media web sites also think in terms of intellectual property and take necessary steps to protect themselves.

  • First and foremost they want to establish that they own the code behind the functionality that makes their site work (ex. site users don’t own how Google+, Twitter or Facebook works or any portion of code behind the sites). This is almost always under a Proprietary Rights and/or general License section of a ToS.
  • Secondly they want to establish they hold the right to share submitted information (syndicate information) in such a way that the site functions as expected in regard to sharing content and can be ported to sister web properties or web partners (ex. Tweets can be ported to a blog via a Twitter widget, Tweetdeck or Hootsuite can receive/display your tweets from Twitter, etc.).  Social media is about sharing, so syndication is a central function to secure rights for. In general such terms can be found under a Content License section of a ToS.
  • Thirdly they want to make sure they are not opening themselves up to lawsuits (ex. liability, privacy or copyright infringement and claims regarding security breaches). To safeguard against such claims “Liability”, “Security” and “Privacy” disclaimers are always present. Copyright & Trademarks are often covered on 3 fronts: End User content (content you own that is shared), 3rd Party Content (content you share owned by others) and Developers (programmers creating new software leveraging an API to port shared content to plugins, apps, etc.) Because of the complexity surrounding copyrighted and trademarked information terms are usually divided between several sections in a ToS document.

If you were to start a social media company these would be your top 3 concerns. Creating a social media web site takes a lot of time, planning and resources. Losing that investment would be catastrophic hence the need for legalese covering the aforementioned concerns.

My Top 4 Factors Dictating Participation on Social Media Web Sites (ex. Google+)
Note: Google+ is used as an example, but could be replaced by any company/site name.

  1. Is a claim made that the copyright of my work is transferred to Google+ (or company X) upon posting/submission?
  2. Is a claim made that my copyrighted work will be distributed to sites under a set umbrella of sites  and services (ex. Google+, Gmail, Buzz, Google Search, Google Image Search, Google Maps, Google Places, etc.), or far beyond such as a blanket claim to sub-license my shared work to known and unknown companies/services (ex. 3rd party advertisers or image licensing services)?
  3. Do terms used in relation to any claimed license include “irrevocable”, “perpetual license”, “fully paid”, “royalty-free” or the classic phrase “by all means and in any media now known or hereafter developed”?
    Horrible example often absorbed in boiler-plate ToS:

    You agree to grant to “Company X” a non-exclusive, royalty-free, worldwide, perpetual license, with the right to sub-license, to reproduce, distribute, transmit, create derivative works of, publicly display and publicly perform any materials and other information (including, without limitation, ideas contained therein for new or improved products and services) you submit to any public areas of the Site (such as bulletin boards, forums and newsgroups) or by e-mail to “Company X” by all means and in any media now known or hereafter developed. You also grant to “Company X” the right to use your name in connection with the submitted materials and other information as well as in connection with all advertising, marketing and promotional material related thereto. You agree that you shall have no recourse against “Company X” for any alleged or actual infringement or misappropriation of any proprietary right in your communications to “Company X”.

  4. Can the Terms of Service be terminated by myself and not just by Google+?

How Google+ Holds Up to my 4 Factors of Participation
As I read the Google Terms of Service document my 4 Factors of Participation break out as follows:

  1. Copyright – I retain my copyright and all other rights held to submitted content. (Win!)

    11.1 You retain copyright and any other rights you already hold in Content which you submit, post or display on or through, the Services. (for remainder see #3 below)

  2. Content distribution & claimed rights

    11.2 You agree that this license includes a right for Google to make such Content available to other companies, organizations or individuals with whom Google has relationships for the provision of syndicated services, and to use such Content in connection with the provision of those services.

    This is a broad statement, but rights aren’t given to 3rd parties outside of the scope of syndicating content. As stated earlier sharing is a central pillar to social media so I’m OK with this. (OK)

    In addition Section 11.3 clarifies an often abused statement “by all means and in any media now known or hereafter developed”. Content will be changed or adapted to meet technical requirements of future networks, to fit future devices, services or media. It’s open ended but makes logical sense to me versus being an extremely vague rights claim. (OK)

    11.3 You understand that Google, in performing the required technical steps to provide the Services to our users, may (a) transmit or distribute your Content over various public networks and in various media; and (b) make such changes to your Content as are necessary to conform and adapt that Content to the technical requirements of connecting networks, devices, services or media. You agree that this license shall permit Google to take these actions.

  3. Use of “Red Flag” terms

    11.1 (cont.) By submitting, posting or displaying the content you give Google a perpetual, irrevocable, worldwide, royalty-free, and exclusive license to reproduce, adapt, modify, translate, publish, publicly perform, publicly display and distribute any Content which you submit, post or display on or through, the Services. This license is for the sole purpose of enabling Google to display, distribute and promote the Services and may be revoked for certain Services as defined in the Additional Terms of those Services.

    • Yikes Google starts using red flag terms “perpetual”, irrevocable”, and “royalty-free” and “non-exclusive”. To their credit they use “worldwide” and not “universe” which I’ve begun seeing. At first glance I’m turned off by these terms, but I fall back to my entrepreneurial experience from the dot com days and recognize these are terms necessary to use to reproduce content online. Think of this blog post. The title and abstract of its contents can be displayed in Google+, shown on a Google Custom page, in a Google RSS Reader, be translated by Google Translate, repurposed via Google owned Feedburner, appear in Google Search, etc. Each of these services needs to modify the display and length of this posts content. On top of that there is no limit in time-frame to when someone might find a search result for example. (Reluctant OK)
    • Google clarifies why the aforementioned red flag terms are employed, but also states these terms may be revoked per the terms of other Google services. This part per my earlier explanation makes sense, but ends in a way that makes me a little nervous as its open ended. (Reluctant OK)
  4. Termination of Terms of Service
    Google outlines in Section 13.1 and 13.2 that you can terminate the ToS and provides a mechanism to do so. (Win)

Keeping an Eye on the Big Picture
Social Media sites can be used in a variety of ways to support personal and business goals. While they’re fun to use I strongly believe they should be used with a goal in mind. Goals for personal use may vary drastically compared to goals for business use.  On top of that goals for business use vary as well based on the type of business you run, how you run your business and who your target audience is. My top 4 concerns in evaluating the ToS for a social media site may not be the same as your own, but I personally think they’re a good start in making an early evaluation of a particular service and whether they’re worthy of using.

In my example I’m OK in using Google+. Having read the Google+ ToS I have a better feel of how my content is being used and have identified short comings that might force me to modify my sharing behavior there. Ultimately I find no reason yet to curb my sharing behavior, but as with all new services I’m starting off conservatively to see how Google+ evolves during the closed beta.

Social media is a great tool. As always I recommend approaching it with an open mind and in an educated fashion.

Related Articles:

Update: Google+ ToS from an Attorney
Google user licenses: clarification would be nice, but they’re not panic-worthy

Getty Images Blesses the Google+ ToS for its Flickr Collection Contributors
Getty Images has responded to inquiries that posting images on Google+ does not violate the terms of Flickr Getty Contributor contracts.
If you’re a Getty Flickr contributor you can view this private link with specific details

Google+ Not Part of Google Display Network (Ad Network)
Google representative states “Google+ is not part of the Google Display Network” in this wired article Google+ vs. Facebook on Privacy: + Ahead On Points — For Now

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Surviving Photo No Man’s Land

This past weekend I burned 1/2 a day digging up past images from a special time in my photographic career. That “special time” being a window of time when I was very serious about learning anything & everything about photography and remotely thinking about trying to do more with it as a profession. I then burned another 1/2 a day preparing those images for a formal copyright submission.

  1. Were all of these images from years past technically perfect? No.
  2. Were these images post-processed to today’s standards? No
  3. Were some of these images of subjects that have some marketability? Yes
  4. Were some of these images ever submitted to a photo forum or posted on an old web site? Yes
  5. Were these images ever copyrighted? All that had been posted online fortunately
Anthony Tashnick wipes out in the finals of the 2010 Mavericks Surf Contest

Anthony Tashnick wipes out in the finals of the 2010 Mavericks Surf Contest

For me “Photo No Man’s Land” consists of the years that you immerse yourself in photography thinking that you’ll never do much with what you’re shooting. You are inconsistent in your backups and your copyright filings… if you’re doing that at all.

So let me be the one to tell you whether you’re just learning photography or if you’re a pro. Pay attention to this “No Man’s Land” as it will invariably come back to bite you if you don’t give it the attention it needs…

  • Don’t under-estimate your skills or eye for meaningful subjects.
  • An image you think has no relevance to anyone will in time.
  • An image that is in the earliest portion of your archive will be requested or needed for a project

My most frustrating days are those where I search for photos in this “No Man’s Land”. I end up wasting time searching for my files hoping they were backed up and when found wonder & research to see if I made that all important copyright filing. This past Saturday was the last time I’ll do this as I have now found and filled this gap in my archive. Hopefully my sharing this less than pleasant experience will save you some time in the future. Don’t let your growing wave of photo experience crash over you. Do the right things now so that it instead pushes you forward.

Recommended Reading:
If you’re unfamiliar with Copyrights (U.S. specific) or need a quick refresher I recommend reading:
10 Must Read Copyright Articles for Photographers

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EXIF and Beyond Special Edition: Lucinda Dugger of the Copyright Alliance

EXIF and Beyond
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The 31st episode, a special edition, of EXIF and Beyond has been released (duration 13:41 min.)

This special edition of EXIF and Beyond features an interview with Lucinda Dugger, Director of Outreach and Field Initiatives for the Copyright Alliance. Discussed is the on going initiative for creatives of all type to sign a letter to the President of the United States to pursue policies that respect the rights of artists.

This letter and all gathered signatures will be delivered to the White House on November 16, 2009.

In addition to sharing information about the Letter to the President initiative Lucinda discusses general information about the Copyright Alliance and other priority projects being pursued.

Links of Note:

Listen To The Podcast

EXIF and Beyond: Lucinda Dugger of the Copyright Alliance

If you enjoyed this episode please be sure to rate and comment on the EXIF and Beyond podcast on iTunes.

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10 Great Audio Resources for Photo Videos

A few weeks back I was hunting for music that I could use on a web based video and had a challenging time. As a photographer who cares about rights to my work being respected, I felt it was important to share that same respect to musicians whose work I wanted to use. Searching and gaining permission to use music for my photo video proved to be a huge challenge and got me to respect the Creative Commons initiative all the more.

While getting permission to use All Rights Reserved creative content is as simple as asking permission it can be frustrating. I’m normally a very patient person, but when I had my video ready to go and I found the music I wanted to use it seemed like an eternity to hear back from the artist. Eventually the artist wrote me back 48 hours later and gave me permission to use any of his work in the future regardless of current licensing designation. I was lucky and found a very cool artist to collaborate with.

Ultimately I burned a lot of time searching for music. It would seem that there is a huge opening for a site to be created matching artists who want to share their work in conjunction with other artists for promotional and non/pseudo-commercial purposes. To me having a directory that matches musicians and photographers to use each others work for mutual promotion seems like a win-win proposition. Until my dream of such a directory becomes a reality below are 5 copyleft resources to search for music and 5 royalty-free stock music resources.

An important note:
Music designated as “No Derivative Works license” cannot be used for photo videos as explained on this Creative Commons page Legal Music for Videos.
So even if you find music you like with this CC license you’ll still need to retain approval from the artist, so build in approval time as you plan your videos release.

Under CC licenses, synching the music to images amounts to transforming the music, so you can’t legally use a song under a CC No Derivative Works license in your video.

5 Copyleft Resources For Music

  1. CC Mixter
  2. Internet Archive
  3. Jamendo
  4. Proud Music
  5. Film Music by Moby
    “‘film music’, is for independent and non-profit filmmakers, film students, and anyone in need of free music for their independent, non-profit film, video, or short.
    If you want to use it in a commercial film or short then you can apply for an easy license, with any money that’s generated being given to the humane society.”

5 Stock Music Resources (Pay to License)

  1. StockMusic.net
  2. Shockwave-Sound.com
  3. Triple Scoop Music
  4. MediaMusicNow.co.uk
  5. MagnaTune.com

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How Do You Irradiate A DVD To Death?

The answer…
Submit a DVD full of your photos to the Library of Congress through the U.S. Postal Service.

Today I received a letter from the United States Copyright Office that a relatively recent copyright filing could not be processed because the U.S. Postal Service irradiated my U.S. Priority Mail envelope containing a letter and DVD to the point of oblivion. 

I understand the need be security conscious after the 2001 Anthrax scare, but to irradiate mail to the point that a CD or DVD will not work!? That’s a first I’ve heard of that happening. I’ve mailed dozens of CD’s and DVD’s full of photographs in past Copyright filings with the Library of Congress since 2001, but this is the first time I’ve had a submission experience problems because of being irradiated by the USPS. Something just seems off with this. See my souvenir letter below.

Perhaps this is part of the campaign to get people to use the online submission process versus mailing in paper based filings. Apparently the increase in fees wasn’t enough of a deterrent. 

I’m really trying not to bring politics into this, but didn’t the accused Anthrax suspect die in August of 2008? Is it really necessary to keep this going to the point that the government can’t do business?  Does this mean that President Obama isn’t a Netflix subscriber?

On a serious note in case something unexpected were to happen I do burn duplicate copies of my Copyright submissions. Resubmitting the damaged DVD won’t be a problem because of this practice. I just never expected I’d have to resubmit a DVD because of being irradiated to death. What happened to the good old days when packages just vanished and resurfaced 40 years later?

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Watermarking with Lightroom & Mogrify

Adobe Lightroom has been a critically important application to my photographic workflow, but from early on watermarking functionality has been limited. The standard copyright text line provided by Adobe Lightroom is enough, but lacks the ability to be customized giving photographers using it some level of individuality. As noted in my earlier blog articles on watermarking watermarks are not only functional to avert image theft, but a key component of branding.

Enter LR2/Mogrify, a Lightrooom plug-in created by Timothy Armes, that adeptly fills the void. Mogrify provides functionality to apply borders, text and graphical watermarks. Mogrify also harnesses the power of Lightroom to batch process photographs. The combination of these functions makes for an incredibly valuable photographic solution.

Since the end of 2008 I have been a diehard LR2/Mogrify user. The cost for Mogrify is what you are willing to pay. It is donation based and receiving the activation key opens up all functionality with in the plug-in (otherwise you’re limited to watermarking 10 images per export).

How I Use Mogrify
Once I finalize my highest rated images per photoshoot (post-process, add metadata, etc.) I select one or all and right click to Export my photos for web display. In Lightroom I use the Mogrify plugin to Read more…

If It’s On The Internet It’s Free! Didn’t You Get The Memo?

Last week I put a good amount of miles behind me driving a Hybrid Toyota Camry across the Mid & Northwest which for all intents and purposes could have also doubled as an oasis of silence, shielding me from the constant flow of information that we are all bombarded with on a constant basis through various media outlets. There is a lot to be said for tuning out, but I opted not to as I jumped from destination to destination. On my long drives, some as long as 850 miles in a single day, I passed the time enjoying extended stretches of silence to brainstorm creative ideas while intermitently listening to NPR radio and other local stations. The funny thing about having a little more time to think while traveling as I did is that subtle events and not so subtle events have a way of adding up to more clearly take form as a larger thought or issue.

Just before I left on my trip I received a comment on Flickr from Patrick Smith, a photographer here in Northern California, commenting on the merit of my watermark and how image theft is overblown. I shared my experience and moved on. After all even I would rather talk about other things than taking safeguards against image theft.  Then while on my trip news broke of a family photo sent out as a Christmas card that somehow was taken off a family blog and used in a large commercial advertisement in Europe

Then days later I heard DJ’s on a pop radio station in Utah discussing this, one DJ noting that “if it’s on the Internet it’s free.” Lastly to come full circle I read a blog entry titled Creativity! by Patrick Smith upon my return about how one of his photos was being used in a “Photoshop This” thread on Fark.com.

So my question to you,  “Did you get the memo that your online content is free?”

Clearly I’m a believer that my content is not free if it is placed online and I’m consistently appalled that people continue to claim others content online as being free.  For some reason I find that people who do not create content whether an article, a photograph, etc. have a tough time wrapping their head around the concept of “Intellectual Property”. It’s much easier to just assume the world is their oyster… it’s all there for the taking. One other observation I’ve made is that those who are broadcasting types (TV and Radio) do think of online content as being free far more than say writers or photographers.

I’ve written plenty on this subject and I think all of you know very well how I fall on this subject. For those of you that are new to my blog you can find my past thoughts on the following topics here: copyright infringement and photo watermarking.

What is your take on this mythical culture of free that people seem to errantly propogate in relation to your online photographs or writing?

I almost forgot… this came out on Sunday:

Use Their Work Free? Some Artists Say No to Google – NY Times

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2 Things You Absolutely Have To Do This Weekend

Technically I’m supposed to be unplugged for the next week as I travel, but I am reconnecting to relay two incredibly important things that require your attention.

First I urge you to subscribe to a new & free online resource TOSBack.org, courtesy of the Electronic Frontier Foundation (EFF). This site tracks the Terms of Service of 44 Social Media web sites. Given many of my posts about the rights grab imposed by numerous sites online this organization will be an invaluable resource to creatives posting material online. TOSBack.org’s purpose as stated from their web site:

Terms-Of-Service and other website policies form the foundation of your relationship with social networking sites, online businesses, and other Internet communities. But most people become aware of these terms only when there’s a problem. TOSBack was created to help you monitor the policies for the websites you use everyday, and show how they change over time.

TOSBack is a project of The Electronic Frontier Foundation. We are a non-profit membership-funded organization. If you like TOSBack, please consider making a donation or becoming a member.

Second California State Parks have been thrust into the fray of the state’s budget crisis. The current proposal put forth by the Governor calls for the closure of over 200 state parks that is an amazing 80% of all state parks!!! As of now the proposal calls for this over the top action to take effect on July 1st. If you live in California please tell the Governor and your state legislators that you want them to keep our California parks open. (via the Sierra Club)

Curious which parks are closing? See the list after the jump
Read more…

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